RATES & EQUIPMENT

LOCATION RECORDING EQUIPMENT

As most projects differ greatly in requirement(s), we prefer to provide tailor rates suited to each request.
Please contact directly for location recording daily rates or equipment requests.


MIXERS/RECORDERS

1 x Sound Devices 744T

High-end 4 track recorder, featuring analog limiters, true line level input, stable timecode and a 500gb SSD. Excellent as low-track count recorder or backup recorder.


1 x Sound Devices 788T-SSD + Cl8

High-end 8 track recorder and mixer, featuring analog limiters, 6 analog outputs, 4 digital outputs, stable timecode. An industry standard in production mixing and recording.


1 x Zoom F8

Medium-grade 8-track recorder, great for independent productions only requiring ISO recording capabilities.


MICROPHONES

1 x Sanken cs-3e

High-end shotgun microphone, with Rycote windshield and dead-cat for high-wind locations.


1 x Schoeps CMC6U + MK41

High-end supercardioid interior microphone for dialogue recording, with 60Hz lo-cut filter, pop-filter and boom suspension.


1 x Shure SM57

Standard dynamic instrument microphone with cardioid polar pattern.


1 x Shure SM58

Standard dynamic performance microphone with cardioid polar pattern.



WIRELESS

2 x Lectrosonics UCR210D, UM200C + M152

(Block 22) High performance grade wireless transmitter and receiver, with standard lav.


2 x Lectrosonics UCR211, UM400 + Sanken COS11D

(Block 21) High performance analog wireless transmitter and forward-tracking receiver, with high-end lav.


3 x Sennheiser SK100, EK100 + DPA4061

(Block B) Standard wireless transmitter and receiver, with high-grade lav. Option to be reverse-routed as a mono camera link.


1 x Zaxcom QRX100 + TRX900AA

(Block 25) High quality wireless package


1 x Zaxcom RX900S + TRX900S + Sanken cos11D

(Block 26) High-quality transmitter and receiver with industry standard Sanken cos11d lav.


IFB

1 x Zaxcom ERX2TCD + Headsets

High quality Director/Producer IFBs with headsets. Can also be used a camera scratch with timecode.


1 x Zaxcom QIFB

Director/Producer IFB, Timecode & Zaxnet Remote Transmitter



TIMECODE

1 x Dumb Slate

Traditional dumb slate for manual syncing


2 x Tentacle Sync + Cables for Arri, Red etc

Small sync box for camera mounting.


CAMERA LINKS

1 x Lectrosonics UM100 + UCR100

(Block 26) Mono camera link for backup audio



BOOMPOLES

1 x K-Tek K110

250cm Professional Boompole


1 x K-Tek K225

572cm Professional Boompole with internal cabling


1 x K-Tek K89

200cm Professional Boompole


OTHER

1 x C-Stand Boom Holder

Boom holder for static interviews.


4 x NeoPax Wireless Holders

High-quality wireless holders for comfortable placement on talent.



SOUND DESIGN

If you require any job that is not on this rate sheet, contact us and we can organise a personalised quote.



AUDIO CORRECTION

Basic (Adobe Audition)

Per Hour

$50

Per Day

$380

Advanced (Izotope Rx 5)

Per Hour

$140



MIXING

Stereo (Pro Tools 10)

Per Hour

$70

5.1 (Pro Tools 10 HD)

Per Hour

$210



FOLEY SOURCING

Recordings will be captured at nearest relevant location with a Sound Devices 788T Recorder, unless specified otherwise.


16-bit, 48kHz

$100 per hour

24-bit, 48kHz

$130 per hour

16-bit, 96kHz

$115 per hour

24-bit, 96kHz

$145 per hour

16-bit, 192kHz

$130 per hour

24-bit, 192kHz

$160 per hour

Payment Terms

Payment will be made in two segments:
25% no more than 3 days prior to initial shoot date
75% up to 14 days after final shoot date*

*with exception to shoots that run for more than 7 days, in which payment must be made fortnightly (14 days from initial shoot date)


Cancellation Note

If cancellations are made less than (and including) 3 days prior to initial shoot date, the initial 25% payment will not be refunded

+61 (03) 8899 7200
0420 966 754
alexc@sciproductions.com

1st Floor, 200 Union Road, Ascot Vale, 3032

Designed by SCI Productions || 2015 - 2018